Paper and Threads

I love figure drawing and try to do regular exercises to help with my drawing technique.  Here are 3 of my favorite, regular exercises - in addition to drawing hand photos from an American sign language website. 

One of Carla Sonheim's Drawing Labs is to draw 100 Faces.  I decided to draw most faces from live models and carry a pouch with watercolor cards, pen, pencil, eraser, 8 watercolor pencils, and the large Niji waterbrush with me when I'm I'm on NYC public transportation.  It is challenging to draw without the model knowing - or having fellow passengers comment.  And sometimes the model is only in their seat for one bus or subway stop.  Here are 2 of my latest. 

 The drawing on the left was done with an indigo Prismacolor colored pencil - one of Kate Johnson's recommendations for shaking things up.

I love the challenge of drawing from Posemaniacs.com - using their 90 second program.  I usually will spend 10 minutes doing these drawings to warm up for a scheduled trip to Live Figure Drawing.  These figures were drawn with a watercolor colored pencil and then brushed with water.

Someone on some blog - sorry I can't give credit where it is due - recommended this exercise for practicing portrait drawing.  I look for faces in magazines that are about the size of my journal page and then cut them in half, gluing in the side I will copy.  I'd love to have 5" front facing, colored photos of less perfect models (i.e. interesting faces) to draw.  But I haven't found a source in color, of that size, in hard copy.  I think I need to haunt the used book stores for cheap sources.

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Melanie Testa arranged for Carla to spend time with us between two classes that she was teaching in New York, and then Melly wasn't feeling well enough to join us.  We missed her terribly, but did a little text messaging during the afternoon!

Carla did Craft Night at Etsy in Brooklyn on Monday Night and then taught a second class here in Manhattan last night.  You can see the demo that she did hourly at Etsy on their webite.  There are no close-ups of her work, but you can see her class samples on her blog.

We were fortunate to catch her for the day between her classes and before she returned to Seattle.  Several of us worked through Drawing Lab the summer that it was published.  Teri taught an online group based around the book and met Carla before in the virtual world.  Pat actually did thye 100 faces Lab and has her 100 faces on tags and easily portable.  Carla loved them!  I'm still finishing a few of the labs in the last 2 chapters - I was derailed in the Nature chapter by all of the snow and ice we had during January and February.  It was a thrill to discuss her art background, her current activities, and to share sketchbooks over a long lesiurely lunch. 

 Following lunch, we took a short walk down Madison to the Guggenheim Museum.  I stopped a stranger on the street so we could have a group photo to send to Melanie.  

The current exhibit at the Guggenheim was wonderful and we spent several hours on the spiral walkway in the rotunda.  There were 100 pieces of art from the Guggenheim Collection - to review the great upheaval in the art world between 1910 - when artists began to form groups in Europe, write manifestos to be shared with the public, and move in new directions.  This period ended abruptly in 1914 when War was declared and "artists were snatched back to their mother countries to join in the war effort."  The Guggenheim doesn't have an online catalogue of the paintings, but does have an informational video about the exhibit on their website. 

 No photographs were permitted so I sketched elements of one of my favorite paintings and then painted it at home last night from a purchased postcard.  This is Franz Marc's "Yellow Cow."  My cow is shorter and plumper than the original.

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I went back to the Met on Holiday Monday with my friend Judy and I saw two more new exhibits.

Guitar Heroes is a collection of guitars, violins, mandolins, lutes, and even a ukulele - the guitars from the 1930s on and most others several hundred years old and beautiful.  Drawing a Stradivari violin from 3 views was a real treat.  There is a wonderful website for anyone wanting to look, listen, and draw.

Cezanne's Card Players is very special to me.  In 2007, I selected the Met version of the painting for in depth study - and drew and painted it several times in my sketchbook.  You can read about the impetus and see my first versions here.  Last year I sketched only the standing peasant - and on Monday I copied a preparatory drawing by Cezanne of Paulin Poulet, the seated card player on the left in the Met painting.  By the end of the exhibit, I think I will be there weekly!

This exhibit was organized by the Courtauld Gallery in London and the Met.  The best coverage is on the Courtauld website, with 3 short podcasts.  The 5 Card Player paintings and the preparatory paintings and drawings are considered to be part of Cezanne's most important work. 

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The Central Park Sketching and Art Meetup Group sketched at the Met yesterday - beginning in the Stieglitz, Steichen, Strand photography exhibit and ending in the American Wing.  I thoroughly enjoy these sessions because I'm forced to select a subject and then to sketch it quickly before we move on.

I saw the photography exhibit previously and loved Steichen's portrait of Stieglitz, so that was the subject of my first sketch.  The Museum website has a good podcast and all of the exhibit photos - so I printed out the Stieglitz portrait to accompany my sketch when I got home. 

I also had a few minutes to sketch others in our group while they were sketching other photographs.

We then moved to the American Wing for several more sketches.  For my final drawing, I sketched a tiny figure from a huge painting that completely lined a very large oval museum room.   The painting is a Panoramic View of the Palace and Gardens of Versailles  that was painted by an American artist named John Vanderlyn in 1818-19.  The museum website has photos of sections of the whole painting and you can click among them.  My man was one of many people in the painting that were strolling the grounds of Versailles.

Our Meetup group leader took a low resolution photo of me while I was sitting on the floor sketching - and it shows the very large size of this painting.

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Picasso's Guitars 1912-1914 just opened at the Museum of Modern Art.  The museum website for the exhibit is wonderful and ArtDaily.org has a great discussion of the exhibit with several photos.  I saw "Guitars"  last week with my Journal Study Group friends and did several sketches.

I enjoyed reading and hearing about the uniqueness of Picasso's cardboard and string primitive wall sculpture and never realized what an important step this was in art history.  My sketches include a flat version of the cardboard guitar, the metal guitar from the front and side to show the actual 3D shapes, and one of the exhibit collages - Student with a Pipe - just because I loved it!

Cardboard and String Guitar Sculpture Sketched with Watercolor Pencils:  

Two Views of the Metal Guitar - sketched at the exhibit and painted at home:

Collage - Student With Pipe:  I sketched this piece at the exhibit and then redrew it at home in this version.  There is a map of the galleries at MoMA as the first layer, then a layer of absorbent ground, then my drawing and watercolor paint to complete the image.

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