Paper and Threads

Two members of our Journal Study Group are in Europe at the moment, so Pat and I consoled ourselves with lunch, an art auction preview, the Pastel Society of America Show, and a late afternoon stop for coffee and sweets.

Swann Galleries is auctioning several hundred prints of old New York today. so we went to enjoy them during the previews.  I was so inspired by these drawings of master artists that I wanted to go out then and sketch my way through this wonderful City.

We walked from Swann to Gramercy Park and went to see the current exhibit from the Pastel Society of America.  Neither of us use pastels and were amazed at the photographic detail possible.  When we left the National Arts Club, we stopped across the street and did quick sketches of the entrance for me to work out my need to "sketch NYC."

While drinking our coffee, both of us wanted to do another in our Carla Sonheim 100 Faces project.  So we sketched each other, across the table, with our non-dominant hands.  Quite a challenge.  Here are 4 more of my Face series, these are all full face instead of profile like the last ones I uploaded.  Pat is the one with sunglasses on her head and reading glasses on her nose!  It makes her look really young which she says is OK, because in her mind she is 22 years old.

Posted by Shirley at 8:21 AM | Permalink | Comments (8)

Most of the time my watercolor sketchbook is a visual journal and I try to incorporate part of my  life in my sketch of the day.  But I don't always think that I have enough time, or the perfect location, and I skip a wonderful opportunity.

Catherine Carey of In and Out of the Studio wrote about this recently and I remembered it while we were eating a quick lunch with our 7 year old grandson after we took him to MoMA. 

Catherine said, 

"In this week's sketchbook journal workshop we have been talking a lot about painting very simply and quickly. It is not about laboring over a masterpiece. It is about getting the impression of "here and now" on the journal page.
 

I understand that it is difficult to take a chance on a page being less than perfect, or even less than good, because someone might look at it, and of course, we will look at it ourselves and feel as if we have failed if it isn't great (or good).

So I sketched during our special lunch, just the scene of the area where waiters were placing orders, and picking up bills, menus, etc.  And Henry watched the drawing and then the painting, with great interest, making lunch and my journal page more special.  I sketched what was in front of me quickly and painted it, and then was ready to move on!  Now - to remember this!

Posted by Shirley at 8:29 PM | Permalink | Comments (10)

The August summer break just ended at the Society of Illustrators and last night I went to Figure Drawing with my friends Istar and Casey.  Casey is visiting her family in N.J. from France and was able to come into the City for a visit.  I hope that she posts a few of her figure paintings to her blog when she returns home.  Her ink/watercolor drawings inspired me and gave me a new goal for 2011.

My current sketch book is slightly too big for my scanner, so there are lots of ugly scan marks.  I also had to increase contrast so my 6B pencil lines were darker, and all of my left-hended smudges then were more noticeable.   

There were two models, clothed, for every pose.  This was a sketch done of both of them during 5 minutes - just to try to capture their positions and clothing.

During another 5 minute pose, I sketched only the male model because he was in a challenging twisted position.

I sketched both models during the next two 20 minute poses - the male model without and with shirt and the woman in a negligee.

vvvvv

This is the beginning of my second year of live figure drawing and I am trying to spend more time on faces.  After I finished sketching both models during a 20 minute pose, I spent some time trying to better capture the face of the male model. 

Posted by Shirley at 8:26 PM | Permalink | Comments (7)

I love visiting all of the Museums in Manhattan, and always try to sketch one item during a visit.  Maybe I can internalize some of the skills of the Master Artist, or convert a 3D object into a reasonable 2D drawing, or just create a memory of the museum visit.

David Goldblatt, a South African photographer who documented life during apartheid, has an exhibit at the Jewish Museum.  I loved the position of this man, who was posing for a paid photograph while Goldblatt photographed him and the photographer.

The American Woman exhibit at the Met was a favorite among our visitors this summer.  I have visited enough times that I have sketched one mannequin in almost every room.  I sketched several during my recent visit with Liz Steel and this was one of them.

 I love Guercino - an Italian artist from the 1600s, and try to reproduce one of his drawings whenever I see one.  The Met has an exhibit of Italian Drawings from Correggio  to  Tiepolo including one of Guercino's.  His drawing was done in ink, mine was done with black pen and watercolor.

My quilt artist friends and I went to see the Exhibit honoring Women's Art at the American Folk Art Museum.  My favorite piece was a painting of a mourning family, with 4 women lined up on the left side of the cemetery stone and men on the right.  This is one of the identically dressed women.

Posted by Shirley at 2:51 PM | Permalink | Comments (8)

I sketched this fountain several weeks ago but didn't have time to paint it before uploading it.   Here are drawings of the Fountain from 2003 and the unpainted one from 2010. I was nervous about adding the trees and leaves, but I'm pleased with final page.

Posted by Shirley at 4:24 PM | Permalink | Comments (5)