Paper and Threads

I was fascinated with many of the images on prints in the German Expressionism Exhibit at the Museum of Modern Art.  At each visit, I made some quick sketches of some of the figures in the prints, and this week made two of the dancers into stamps.  The first test of the stamps was made on this journal page. 

Jane Davies posted some lovely mixed-media art with gesso, acrylic paint and freezer paper resist on the Sketchbook Challenge blog.  I went to her video link on her blog and tried to duplicate it, but it failed.   My freezer paper image, an outline of 6 of us on Team 5 at an NYC scavenger hunt, didn't stick properly and paint went under the resist.  So I dried it, turned it over, and glued it down as a collage.

I definitely will try this again, and will probably use paper Frisket instead of my old freezer paper. 

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Between live figure drawing sessions, I still work on my Carla Sonheim Drawing Lab faces, full figures from posemaniacs.com, and sketch hands from the American Sign Language website. 

The faces are usually drawn very quickly when I'm riding the subway or buses in New York City.  The trick of course is figuring out who is about to get off.  And people who are reading look like they are asleep.  I'm hoping that this extra practice will help me "pull it all together" when I'm trying to sketch live models.  For me it is the ultimate test of eye-hand coordination!

Hands Copied from American Sign Langauge Site and drawn with watercolor pencils.  I only have two more letters to sketch.

http://www.lifeprint.com/asl101/pages-layout/handshapes.htm

Figures drawn from http://posemanics.com with watercolor pencils - the 4 colors that I am trying out for live figure drawing next week.

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The Meetup Central Park Drawing Group met at the Conservatory Garden for our usual Spring session - and I was attracted, as always, to the two beautiful fountains.  This time I only sketched one of the Dancing Maidens, not all 3.   Jesse, the group leader,photographs all of the drawings and uploads them to the website for the event.  Next time we return to Bethesda Fountain and Plaza.

By the time we moved to the south section of the Garden, the wedding around the other fountain had ended and I was able to paint the nymph and flute player.

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I participated in the Everyday in May Challenge for several years by uploading my daily journal sketch to my blog everyday.  It was a good way for me to combat my inner critic a little - because the quality and my happiness with the sketches varied greatly.  This year I decided not to post daily, but to post more frequently than my usual schedule of twice per week. 

Monday we took our 4 year old grandson to the Empire State Building.  His two siblings have been there and he wanted to go.  This page has a prepainted background and then a collage cut from one of the brochures they passed out there.

Tuesday I made my weekly drive to NJ to visit my 93 year old mother.  She fell in Nov. fracturing both her right hip and shoulder.  It was a beautiful day and we sat outside in the sun next to a gorgeous pink dogwood tree.  The background was prepainted, and the dogwood blossom and lady are collages.  The woman (Lady in the Park by August Macke) is one of the drawings I did at the German Expressionist exhibit during my 2nd visit.

Prepainted backgrounds and collage are part of Roz Stendahl's Strathmore Journal class this month.

Wednesday I took my husband and met friends back at the German Expressionist exhibit at MoMA.  I really love it and enjoy drawing my way from the beginning to the end.  These are two journal pages of drawings done yesterday.

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The Cezanne Cardplayer exhibit at the Metropolitan Museum of Art closed last Sunday.  But before the paintings and drawings were packed up, I made one more trip to the museum to sketch from Cezanne's preliminary sketch of the "Cardplayer in the Blue Smock. "

I enjoyed sketching and painting the Met Cardplayer painting (one of 5 variants that Cezanne painted) over the last few years, This exhibit allowed me to copy the master's preliminary drawings - which was great fun.  Will this end my focus on one painting in the Met collection?

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