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March 3, 2017

Watercolor Comps Illustration Class at FIT

The first 4 classes of my Watercolor Comps Illustration class at FIT were designed to teach, or review, painting with watercolors.  We had two classes with nude models, and several exercises using very limited palettes.  The first model was painted with only French Ultramarine Blue and Burnt Sienna, and the second model was painted, in two poses, with Alizarin Crimson and Viridian Green.  The other exercises, in the first 3 weeks, also used limited palettes and photo illustrations to copy.  This week we had a demo using liquid Frisket and then were each given a color copy of a painting by Eli Rosenthal to try to reproduce.   We expanded to a full palette of our choice in an effort to maximize the lightest lights and darkest darks - beginning with an underpainting in some areas - and using varying amounts of water to soften edges.

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February 21, 2017

Art Wednesday February 15th

On Wednesdays I have Figure Drawing at Battery Park City in the afternoon and a Watercolor Comps Illustration class at FIT in the evening.  I really enjoy both of these classes, and look forward to dinner at Brookfield Place between the events.  Here are two figure drawings from last week - each were 20 minute poses.  I used a soluble graphite pencil for both but only had time to add water with a waterbrush to the first one.  I spent way too much time trying to draw his feet in the second pose.

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Our Illustration Instructor gave us two photos to work with as he makes sure that the entire class gets some instruction with watercolors.  On the left is Sargent's preliminary watercolor painting of Madame X that we had to draw as homework and paint in class.  On the right are fruits to be painted in class after Madame X.

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We had to paint Madame X with only Burnt Sienna and French Ultramarine Blue with a little Viridian Green for the couch.

And were expected to paint the fruit with combinations of colors, including the complementary colors for shading and shadows.  

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February 13, 2017

Art on Wednesday February 10

 I am going to a Wednesday afternoon figure drawing session on Wednesday afternoons during February and March.  I haven't done any figure drawing since October and sketched John on drawing paper (not watercolor paper) with a soluble graphite pencil and water.  The shadows are due to scanning the slightly buckled paper.

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I then went directly to my evening Illustration Class at FIT (Watercolor Comps and Illustrations) and was delighted to learn that we had a model to start our series of classes.  Our Professor demonstrated his method of watercolor painting and mixing colors on the paper. 

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February 7, 2017

Deliberate Practice - Drawing Hands Feb 6

I use "deliberate practice" to learn how to draw hands.  This is a slow process, I even drew all of the photo images from an American Sign Language website several years ago.  Now I keep a pile of photos cut from advertisements in glossy magazines, and try to draw a few each month.  The three drawings below were drawn with a Caran d'Ache Mahogany Watercolor pencil, without adding water.  It most closely resembles the Master Drawings that I see in exhibits and museums, but is a pencil which can be sharpened for smaller sketchbook drawing. 

 

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January 31, 2017

Master Drawing Week 2017

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This is the book created for each annual Master Drawing week.  It can be requested from the website and arrives in the mail at least a month before the event.  Each gallery has an entry and there is a list of participating Galleries as well as a map on the back cover.  

The variety of elevators in the Upper Eastside Townhouses is part of the fun of this annual gallery-hop.  Benedicte, Pat and I took this photo in an elevator lined with mirrors.

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And here are a few of my favorite drawings. 

Fritz Haas (1864-1930):  On The Grand Canal.  We are returning to Venice in May, so this may be my favorite drawing of the entire day.

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Theodore Gericault (1791-1824):  Study of Arabs 

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Eugene Delacroix (1798-1863):  Chevalier au Cheval.  I love Delacroix drawings, especially from Morocco, but this may be the most expensive drawing of the day per square inch?  $4200 for a 2 X 2" drawing.    

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As we passed Gagosian Gallery, we stopped in for a quick look at the exhibit "Picasso's Picassos", that was extended to 2/17.  These are paintings from his daughter Maya's Collection.  We each sketched one - this is Maya's mother Marie-Therese Walters.

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Gustav Klimt (1862-1918):  Portrait of a Woman in Blue 

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Jean-Baptiste Greuze (1725-1805):  Study of Feet    

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I don't have the artist for this sudy of hands, but it fits in with my deliberate practice "drawing hands" and I just wanted a copy!    

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Il Guercino  (1591-1666):  Cosmographer with an Astrolab and Compass in a Landscape ($20,000).  He is one of my favorite artists since I saw an exhibit of his drawings in London in 2006.  I copy his drawings whenever I see one in an exhibit here in NYC., but there wasn't time on this visit.  

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Richard Diebenkorn (1922-1993) :  Untitled.  I love his figure drawings, and not his abstract paintings. 

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Our last stop was at the Academy Mansion (2 E63rd St).  There were 4 galleries renting space in the Mansion for Master Drawing week, and it is an amazing building that was built as a private residence in 1921, donated to the National Academy of Science for 20 years, and now owned by a real estate conglomerate - and rented out for film shoots and other events. 

This annual gallery hop never is disappointing.  It is so hard to imagine seeing the inside of so many townhouses on the Upper Eastside and such wonderful varied collections of drawings.  I just chose to include a few of my favorites in this blog post.  Below:  A David Hockney drawing (Peter Running 1968) used on a gallery banner.

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