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May 5, 2015

My New Small 3D Printed Palette

I have a new, amazing 3D printed palette!  Our friend Pat saw it on a Facebook Page and emailed us the photo.  Teri showed it to her husband Lou and within days, Lou made one for each of us, on his 3D printer, to slip into an Altoid size container!!  I just searched for the original link, and found this:

http://www.thingiverse.com/thing:753052

It is a solid piece of plastic with 10 wells and it easily and snugly fits into the Altoid-type tin that Teri bought for us. 

I loaded up my new palette with Schminke Aquarelle paints.  After several years using Winsor Newton artist grade watercolors, I decided to try Schminke based on multiple recommendations.  But I was used to my regular WN primary color triads to mix colors, and set the new tubes aside.  So they were perfect for this new small palette. 

Warm Triad: Gamboge Gum Mod. Scarlet Red, Phthaloblue

Cool Triad:  Lemon Yellow, Madder Red Dark, Ultramarine Blue

Convenience color: Neutral Gray

This weekend I took them into Central Park just to enjoy the weather and do some mixing studies.  I always use primary triads and mix the secondary and complementary colors - but also have Winsor Newton Neutral Tint, Van Dyke Brown, and Lamp Black in my palette "for convenience."

 

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I really like the range of colors that I got from mixing these primaries and will probably add a brown and black to the 3 empty wells to complete this pocket size palette! 

October 12, 2012

Mixing Many Greens with Watercolor Paints

I got interested in mixing paints again after my last gouache experiments.  When I bought my first Winsor-Newton artist grade watercolors in 2003, I bought a warm and a cool triad and then followed those purchases with 3 more "primary color" paints for a total of 3 triads.  I switched out the cadmium red and cadmium yellow after several years because they were too opaque, but haven't changed anything else.  With these colors, plus one brown and one gray, I can mix many, many colors very easily.

Mixing 3 yellows and 3 blues in varying proportions (9 combinations total), sounded like fun and I decided to put these tests on a card so I can remember the resultant colors and select which shade of green I want.  I mix paints very loosely, but this exercise demonstrated that several mixtures produce traditional greens and several others produce shades of olive green.

There are 3 sets on the next two cards:  The yellow is identified at the top and the blue is painted next to each set.  In each row, I kept mixing in more yellow until it was clear that I overwhemed the blue.  The order is obviously a little random.  However, with yellow ochre, I never really got a good green with my original mix - but the aqua and grays are lovely.

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I also have a tube of quinacridone gold and decided to test it with the same 3 blues.  It also makes some nice greens.

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All of the above experimentation is quite funny, because I don't paint landscapes.  But I do paint individual flowers and can never remember which combination of my primaries I want for specific leaf colors.  Now my Green card is in the back of my sketchbook so I can make better and easier choices.

September 21, 2012

Playtime #2 with Gouache

My first artist grade watercolors were 3 warm primaries and 3 cool primaries - because I wanted to mix my own colors, like I do with procion MX dyes for fabric.  Laura, of Laurelines.... was posting some color studies that she did and I decided to spend 6 months, one for each primary and secondary color, mixing my 6 Winsor Newton primary triads to explore a full range of colors. 

Each month I collected items of the "color of the month" and tried to mix colors as closely as possible to paint them.  Those sketchbook pages can be seen by scrolling down in the color project category on the right side of my blog - under Archives. 

Now I'm experimenting with my first artist grade gouache and I spent another wonderful playtime mixing complementary colors from my 3 tubes.  The primaries, secondaries created, and some glazing from playtime #1 can be seen here.

This time I wanted to mix complementary colors using red + green, blue + orange, and yellow + purple.  I didn't spend much time mixing the secondary colors, i.e. I didn't try to match them to colors created in my last playtime.  I stayed very loose!  My three primaries are all identified in the 3 spectrums.

 

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I wanted to try to mix all of the colors in a small sketchbook painting and found a perfect reference photo - a scene near Place des Voges taken by our cousin when the 4 of us were in Paris in 2005.  I tried to match the colors in the photo as much as possible, although I still need to work harder to get the darkest gray possible.  One turned out too purple and the other too brown.

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September 12, 2012

Experiments with Gouache

I love watercolor, and still haven't fallen in love with acrylic paint.  So I decided to slowly buy some Winsor-Newton gouache in one cool primary triad, and to play with them before buying a warm triad.  I bought Lemon Yellow, Permanent Alizarin Crimson, and Ultramarine.  It will take me awhile to decide whether I want to invest in more tubes - until then I will play.

Here are color samples of the 3 primaries, the mixed secondary colors, and one quick mix of complementary colors.  I will explore the full range of complementary colors that are possible, but just wanted to see how close I could get to mixing shades of gold and brown.

 I also did a quick opacity test and was surprised that the Crimson wasn't more opaque.

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Jane Davies posted a tutorial on the Sketchbook Challenge blog last week, using acrylics and pens to create abstract paintings, and I watched it right after I bought my paints.  It seemed like a great way to test my 3 primaries and the range of colors I could mix - as well as assessing the ability to glaze in layers and cover some of the background paint.

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September 2, 2010

Learning to "Paint Outside the Lines"

Linda Kemp's book, Watercolor Painting Outside the Lines, was mentioned on the Everyday Matters message board, and on View From the Oak Blog.  When I have gift cards, I buy this type of art technique book for my library and this year it is one of my goals to actually read and sometimes do exercises or demos from some of these books.  This was my book for August.

In order to really understand the technique of painting just the negative space, I had to try the first two exercises in this book.

Exercise 1:  Paint many different size circles in groups and paint only the negative space.  This painting has 5 layers.  I was quite messy, and didn't keep nice smooth edges, but I accomplished my goal.  I did understand the concept after doing this exercise.

I just found Linda doing this exercise on a You Tube Video.

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Exercise 2:  Same technique, but with a stem with 2 leaves, and a watercolor underpainting.  Again, I was quite messy with the outlines, but now understood working wet-in-wet and creating interesting color washes.

Although I did this exercise from her book, I just found a demo of it on her website.

Kemp2.jpg

Extending the Lesson Using My Original Image:  Friends brought a lovely bouquet of flowers Saturday evening and I decided to use the flower and leaf shape from one of the flowers to create my own negative painting.

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Then I created Two Magnetic Bookmarks using the same flower and leaf shapes.  The technique for making these was posted previously.  But now I use individual magnets sold at Staples as adhesive business card magnets - and I cut them in half vertically. 

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