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September 14, 2013

Lots and Lots of Figure Drawings This Week

Between my Figure Drawing Class at FIT and our summer Figure Drawing in Battery Park City, I sketched 32 figures this past week.  And my friend Pat and I spent one morning gallery hopping in Chelsea, and a full day yesterday between the previews for the Contemporary Asian Art Auction at Christies and the preview of the Interglobal Woven exhibit at the Metropolitan Museum of Art.  I feel so enriched by all of it and wish that I could have my favorite moments going through my head in a slideshow for the next week.

These are my two 20 minute poses - done on 18 X 24" paper, at an easel, at FIT. 


The remainder of the drawings were from Battery Park City - where it was 96 degrees in the shade and a heat index of 103 degrees.  Did I capture the pouty, whining look of our model?  She just wanted to sit, and therefore I had more opportunities for these poses than ever before.

Multiple images were drawn on a large sheet of paper with a Derwent Medium Wash pencil and then "painted" with clear water.  These were all photographed - with difficulty!

1 Minute Poses:  I am most pleased with these.  When I first started drawing figures, I could barely get one line drawn in 60 seconds.


2 Minute Poses


5 Minute Poses


Two 10 and two 20 Minute Poses 


My Bookbinding Structure for September is suffering while I concentrate on figures - but it is Flexagons.  I had never heard of these books, and now that I'm reading about their history, I'm getting more excited.  I made a Square Flexagon and still have 3 more types to make: a Tetra tetra flexagon, a cross flexagon, and a hexa hexa flexagon.  Don't they sound interesting??

September 9, 2013

Visual Journal - September 2-8

As part of my September initiative "to shake up retirement," I also returned to ballet class after 4 years.  I danced on and off my entire life and managed to find time to take classes even when my schedule was full.  My body needs the stretching even more, the older I get - so off to ballet class I went.  Here are my "oldish" ballet slippers, just to commemorate my first few classes.


Last week was last week of my grandchildren's summer vacation and I took Sydney to MoMA on Tuesday and Zachary to the American Museum of Natural History on Friday. Syd and I sketched, had lunch, and then came home to do some sewing.  I drew a few details from paintings included on the children's audioguide while she was listening.  She also sketched a few details and painted them during lunch. 


While my husband took Zach to see the big blue whale, I quickly sketched a beautiful tiger at Natural History and then painted it at home from a photo.


Yesterday my husband and I spent the morning at the Café at the Conservatory Water - one of our favorite morning walks for coffee in Central Park. I sketched cone flowers - first painting them and then adding pen. I continue to play with this technique after liking the way Reginald Marsh used it in the exhibit Swing Time.


Tonight is my second Figure Drawing class at FIT and I will be doing longer and longer poses as the semester proceeds.  I will need better hand drawing skills and used a photograph to draw these two hands. 



September 6, 2013

Figure Drawing in Battery Park City, New York

The weather was perfect on Wednesday and Judy, Pat, and I all went to figure drawing!  Here are a few 5 and 10 minute sketches, and one 20 minute sketch, using a General Sketch and Wash pencil.


Three 5 Minute Sketches


Two 10 minute poses left - and one 5 minute pose right:


Twenty Minute Pose:


September 2, 2013

Deliberate Practice

I love to draw from the Masters and try to analyze paintings and drawings during my museum and gallery visits here in New York City.

There is a new exhibit at MoMA, called American Modern:  Hopper to O'Keeffe.  All paintings, drawings, sculpture and photographs are owned by MoMA and curated for this specific exhibit.  I loved several of Charles Burchfield's paintings and especially a painting called The City, 1916.  It was such a lovely loose architectural painting, that I was hoping that I could, sketch it, paint it, and try loose paintings like this is the future.   I sketched a portion of the painting in the museum and then painted it at home from a photo that I was allowed to take.


My husband and I saw a Reginald Marsh exhibit, called Swing Time, at the New York Historical Society last week, right before it closed.  I've always loved his paintings of New York City - especially those with a subdued palette.  I was fascinated with his use of ink, and I think thin paint/tempera lines, to delineate his figures.  I sketched one from Harris Street Theater, 1940, so I could paint the figure and then add ink. 

I also liked the woman on the far right of BMT 14th St. and just needed a drawing of her head to remember her. 


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