Paper and Threads

Last summer, the Morgan Library and Museum had a great exhibit about "Lists."  I was really intrigued by a sketchbook list of one artist's packing for a trip.  You can see the watercolor page here on the museum website.

So I decided that I needed to try it - and had a great deal of fun drawing and painting the items going into my suitcase or being worn on the airplane.  I think his trip was shorter than mine.  But then again, men probably pack less than women. 

I'm always guided by my suitcase - and must fit everything I take to wear in a 24" suitcase - including my small leather backpack.  Of course my art supplies, camera, book, etc go into my small carryon.  I don't even take a separate purse - a leftover from the year we traveled back and forth to London regularly when all carry-on bags were SEVERELY limited. 

I'm going to try to post to my blog from Venice, but we still don't know whether we will have WiFi access. 

Posted by Shirley at 6:56 AM | Permalink | Comments (0)

We will be leaving for our Venice vacation within the next few days.  I'm obviously very excited to be returning there to celebrate yet another wedding anniversary with my husband and friends.

I recycled a book called Italian Dreams this winter and posted a tutorial for bookbinding on this blog.  And I did some watercolor paintings from photos from my 2002 trip to Venice to get my brain, eyes, and fingers ready for my travel sketchbook.

This week I started to put entries into my travel sketchbook.  I love to have pages already done by the time we arrive, making it easier to just continue filling the book.

The first page is a tribute to Mari Le Glatin Keis. Here are the powerful ideas that I took from her book and added to my first page.

The Art of Travel With a Sketchbook

Sketching is not about doing "good" drawings or paintings. It is about being in the moment, about putting aside expectations and judgment and letting the hand record what the eyes see with whatever tool you have available.

It is not the aesthetic. It is only about the experience!

Be gentle with yourself and allow yourself to be fully in the moment.

In sketching, there is no expectation, no performance, no good or bad. There is just the pure pleasure of describing life as it is. Trust yourself and play. Behind every page , there is a moment, an emotion. No matter how "good" or realistic your rendering is, a simple line or color will bring you right back in the moment. You will be able to see, hear, feel, and smell....Instead of saying "I like this page," I say, "I loved this day."

Mari Le Glatin Keis

My second page shows pencils, pens, easers and brushes in my pencil case.

My third page is a sample of the watercolors I will have with me: 

1.  My small palette of Winsor Newton paints.  This palette is small enough to fit into my small backpack or can stay in the apartment and used there.

2.  My Daler Rowney travel watercolor set which easily fits into a pocket.

3.   My 20 selected watercolor pencils which I can carry in a light, flat zipper pencil case - and use in museums where pens may be prohibited.

I am going to try to post some entries during our trip, but we won't know about the quality of our wifi connection until we arrive. 

Posted by Shirley at 6:38 AM | Permalink | Comments (9)

I made an accordion-folded watercolor "sketchbook" for me to practice sketching scenes in Venice before our trip and these 3 pages complete my Venice Previews.  All of the sketches were done from photos that I took in 2002, before I started to keep sketchbooks or travel journals. 

A blog reader said that they would like to know what my experience is like - after arriving in Venice - based on my preliminary sketchbook painting.  Even before I leave, I feel as if I have more confidence in my ability to paint water and the crumbling texture of the plaster over brick walls of the buildings.  I also know how difficult it is to make accurate drawings of the ornate columns on the most famous buildings.  But most importantly, I have a wonderful sense of freedom because I will always have these 16 journal paintings that will be part of my Venice experience - and I will now be more spontaneous and sketch my daily sights and experiences, "in the moment."

San Maggiore from Piazza San Marco:

Details - Ca' D'Oro

A Random Canal, Tower Photo I took:  Maybe I'll recognize the Tower when we arrive in Venice

Posted by Shirley at 11:56 AM | Permalink | Comments (8)

I'm still sketching Venice scenes from my old photos in anticipation of our upcoming trip to Venice.  Painting canal water and showing the texture/decay of building surfaces are scarey to me, so I worked on both of those watercolor painting skills in these two paintings. 

I started this project with two 30 inch strips of watercolor paper that I folded into accordion booklets.  Since I didn't carry any image over the folds, I'm now planning to cut each strip into two folios and bind these sketches into a small book with 4 folios and 16 pages.  This will be the first time that I sketch/paint first and bind into a book later.  I may decide that it is the perfect method for travel sketching.

The first 4 sketches and the accordion booklet can be seen here.

Posted by Shirley at 2:28 PM | Permalink | Comments (4)

I am still painting from photos I took in Venice in 2002, trying to anticipate some of the travel sketches I will make on our Spring visit.

This building had a very stained wall, and beautiful flowers in a windowbox under the window.

I did this canal sketch in pencil and then used a dip pen, Winsor-Newton watersoluble brown ink, and my waterbrush.  My fear was that I could get lost trying to use traditional watercolors on all of the houses - and I was pleased that I could add color to a drawing very quickly.   

Posted by Shirley at 6:41 PM | Permalink | Comments (8)