Paper and Threads

By chance, I went to the Society of Illustrators Sketch Night during Illustrators Week in New York City and many illustrators posed (clothed) with the models.  They were not introduced, so I have no idea who they were. 

Drawings 4 and 5 of 10 Two Minute Poses 

Drawing 4 of 4 Five Minute Poses - An Illustrator

Drawing 1 of 2 Ten Minute Poses

Drawing 2 of 2 Twenty Minute Poses:  Two Models and an Illustrator (who is sitting on a stool)

My watercolor paper is to big for my scanner and I haven't figured out how to photograph the pages without the blue-gray background.  Even Photoshop can't completely corrct it.

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When Raena (from Every Day Matters Yahoo Group) and I met for the second time at the Quilt Festival in Houston, we took a few minutes to draw art dolls, as we did last year.  These dolls are probably 20-24 inches and are AMAZING!  We each chose one to draw, and then I sketched a second one while Raena looked at the whole exhibit.

This is my first journal page - note the little bird on the woman's hand.  It is called "Fine Feathered Friend and was made by Nancie Roach.

 I sketched the same doll as Raena for my second journal page - a fabulous doll entitled "Leo Was Allergic to Dogs" by Neva Waldt.

Here are photos that I took of the Dolls so I could remember the colors for painting them at home.  I thought you might enjoy seeing them.

               "Fine Feathered Friends" by Nancie Roach.

               "Leo Was Allergic to Dogs" by Neva Waldt.

Posted by Shirley at 11:09 AM | Permalink | Comments (6)

I just returned from the International Quilt Festival which is held in Houston, Texas annually.  It is a wonderful mixture of classes, exhibits, and vendors.  This year, my Everyday Matters friend Raena joined me, for the second year, for part of a day.  She doesn't quilt, but the doll exhibit gives us something fun to sketch together.  My doll sketches aren't painted yet, so they won't be posted until later this week.

Instead, I'm posting a bug I painted on fabric with Tsukineko inks in my class with Judy Coates Perez, and two continuous line contour drawings which I'm still loving for quick, slightly wonky images.

The first is drawn on tinted paper - my pencil case contents.  The second are the tools that I used for my second Quilt Festival class - soy wax resist and instant dyes on silk with Ginny Eckley. 

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 My mother's huge retirement complex is always very decorated for the holidays.  For the last several weeks there have been 3 foot scarecrows scattered throughout the gardens and lining walkways.  I stopped during our walk to sketch one - quickly in pen on tinted paper and then watercolor pencil for color.

I'm off to the International Quilt Festival in Houston on Wednesday - 5 days with old friends.

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Our Journal Study Group, minus Teri, went to the preview of the new Islamic Art Galleries at the Met this week.  Wow!  The space was closed in 2003 for renovation and they even brought in artisans from Fez, Morocco to create special architectural decorations.  There are 15 galleries full of amazing art - beautifully arranged.  At the end of our walk through all 15 galleries, we split up and each went to sketch one thing - meeting 30 minutes later to share our sketchbooks and go to lunch.

I sketched 5 very small (3 inches high or less), wonderfully decorated cosmetic flasks which were used to hold Kohl powder.  The notes said that the powder was picked up with a small brush inserted through the tiny hole on the top.  They were made in the 10th-12th C in Iran or Central Asia.  I put the shapes of a gorgeous vase and an ewer behind them to add some scale and contrast.

After lunch we went to "Stieglitz and his Artists: Matisse to O'Keefe"  This was his personal art collection - much of it from artists he supported in the early part of the 20th C..  It was my second visit to this exhibit and I'm sure not my last. 

Alfred Stieglitz introduced America to Matisse and Picasso through shows at his gallery "291."  Both artists were later exhibited in the famous 1913 Armory Show (International Exhibition of Modern Art) which was a landmark exhibition.  These drawings from 291 were donated to the Met and were among the first pieces by either artist in the Met's collection. 

The first time I went, I sketched an early Matisse drawing in order to learn more about his "lines."  It is called "Nude With Bracelets" (1909).  

During the second visit I sketched another Matisse nude and a very small Picasso drawing done on ledger paper.  I was able to link to the originals from the Met's Collection.

Matisse Reclining Nude (1907) and Picasso Study of a Harlequin (1904-5 to show the originals)

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