Paper and Threads

Here are 3 more journal pages - I'm on a roll!

I love watching Project Runway and periodically like to sketch the winning design the evening that I watch it.  Here is the oversized sweater and paper-bag waste pants by Althea that all of the women judges wanted to wear, right then.

The following day I thought alot about my own love of design and specifically two outfits that I made when I was a senior in college.  The one on the left is a suede suit that I made with 5 skins that my boyfriend of the time gave me for my birthday.  I had enough suede to make the skirt and front panels of the jacket.  The jacket sleeves, back, and front button panel were made from a wool-silk tweed blend that matched the suede.  The dress on the left was made as a final exam in a semester long flat pattern design course that I took (after my premed requirements were done and I was already admitted to medical school).  I selected a dress from a NYTimes newspaper advertisement and made the pattern and then the dress from a green wool tweed.  The top was a blouson style and the skirt had a deep inverted pleat and slant pockets.  I don't have photos of either design - amazing now that I have 10 photos of everything with my digital camera.

Yesterday my husband and I went to the Fall Impressionist and Modern Previews at Christies and Sotheby's Auction Houses in New York City - one of our favorite semi-annual activities.  We start at Christies, then have lunch at Dos Caminos and end at Sothebys - and in the process see well over 500 pieces of art that will be auctioned on Nov 3rd and 4th.  I loved a work on paper by George Grosz and sketched a detail from it - a man's head. 

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Six years ago, when our first grandchild was born, I bought a very small Halloween book from the holiday table at Barnes and Noble.  It is shaped like this pumpkin, outlined in black, and the front cover is made from very soft velour and then stuffed.  It is a favorite with each one of our grandchildren - probably based on size, texture, color and a very simple story of children "trick or treating."  It remains in our book cabinet all year and is enjoyed by them regardless of the season.  The bat, witch's hat, black cat, and ghost are images I sketched from the book illustrations.  The vertical black lines are another experiment in varying the backgrounds of my drawings

I don't know what number this EDM Challenge is - #245 or 246 depending on whether the Free Choice last week was assigned a number. 

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I did several "play" exercises before I left last week for the Quilt Festival. 

Prepainting a Page Background: Roz http://rozwoundup.typepad.com/roz_wound_up/ recommends prepainting the background on some pages in your sketchbook and then just drawing and painting over it.  I prepainted every other double-page spread in my first sketchbook (2003) based on exercises derived from the Gwen Diehn book The Decorated Page, but have not done it since.  My daughter found a new leather pencil case for me and I wanted to draw it with one of each category of tool I carry in it.  To make the background more interesting, I decided to prepaint it, let it dry, and then proceed with my drawing.

Anatomy for Action Figure Drawing:  Angela Gair and Anthony Colbert, in their book The Sketchbook Kit, recommend that you "amuse yourself by drawing little sketches that show how the skeleton moves, in order to understand how the joints operate."  I love this concept and finally tried drawing their little skeletons, just in time for Halloween.

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Procion MX Dye Stock Solutions:

I use Procion MX dyes to "paint" cotton and silk and keep the primary color stock solutions (plus black) in the refrigerator - tightly capped and way in the back on a bottom shelf.   I made this batch two years ago and put them away to use again.  But for a variety of reasons, I haven't dyed another piece of cloth since then - and forgot about them.

I'm off to the Houston Quilt Festival tomorrow morning, to learn more surface design techniques and have a mini-vacation.  This is the 35th anniversary of Festival and my 25th year as a registrant.   My sketchbook will go with me and hopefully I'll at least have some sketches of conference participants in their colorful clothes when I come home. 

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I went to my second figure drawing session last evening at the New York Society of Illustrators with my friend Istar.  On Tuesday evenings the models are nude, on Thursday evenings the models may wear parts of costumes.  I wanted to experience both - and liked both evenings equally well.  The setting is wonderful and there is live music during the entire 3 hours.  I came home with 9 two minute, 4 five minute, 2 ten minute, and 3 twenty minute sketches.  I'm just going to post examples of each.

The models posed with multiple hula hoops - the male model in yellow harem pants and the female model in a red bra and black leggings.  The addition of the hoops made the 2 minute sketches more difficult, but fun.

Two models and a hula hoop even made 5 minute sketches a challenge.

I wanted to remember the costumes in this 10 minute sketch and colored parts with watercolor pencils - but the paper didn't take water well and buckled slightly.  For this pose, he put on a black hat and soft ball necklace and she put on an umbrella hat.  And she really did have dyed shocking pink hair!

A ten minute pose, with one sitting and one standing - and in different costumes:

Both disrobed, but the male model wore his black hat and brown boots for the final 20 minute sketch.  I continue to have trouble fitting everything on the page when I'm working quickly (just one more thing to work on in 2010!), so you can't see his boots.

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