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November 10, 2016

Transfer Artist Paper (TAP) - on Paper and Fabric

Last Week I was at the International Quilt Festival in Houston - an annual trek I began in 1983.  It was so small then that it was held in the now destroyed Shamrock Hilton Hotel.  I watched it grow until now it takes up 3 floors of the HUGE George Brown Convention Center.  Tuesday I was preoccupied by the election and yesterday I was in shock and unable to think clearly.  So my first blog post of the week is several days overdue.

I took a 3 hour workshop on the use of TAP and wanted to share what I learned.  Here is my testing of the transfer of images and brushstrokes from TAP to watercolor paper.

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The tulips were a transfer of black and white Clip Art that was printed onto TAP with an ink jet printer and then transferred to my sketchbook.  Since the image is a polymer, I painted it with watercolors to see if the image could be painted.  It could,  I then painted a snippet of the TAP with watercolor and transferred it to the page as dirt under the flower stems.  We were told that you can draw-paint-color on the TAP as long as you don't scratch the surface.  The wide black line was a Pigma brush pen line I transferred from a snippet of TAP, and the single tulip on the right was an image drawn on another snippet of TAP with Tombow brush markers and transferred. 

I then transferred clip art images to fabric.   

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The yellow rectangle is velvet, the upper green rectangle is cotton, and the bottom triangle is silk.  They were all fused to a white fabric square with Wonder Under before transferring the images to the fabric square.  Each of the fabrics accepted the images well.  The "dot doodles" were made with Tombow marker directly on the Tap and then transferred.

Images are printed on the polymer side of the TAP with an ink-jet printer or created right on the TAP, and then placed face down on the fabric or paper.  They are then covered with Parchment paper and ironed for 10 seconds with a hot dry iron.  The images are permanent - and so is the color - so there are many uses for this technique - and it is lots of fun to play with it! 

Next:  Using Kraft-Tex, a combination fabric-paper with any mixed media technique.

November 4, 2016

Barcelona Travel Sketchbook - 3

I am currently in Houston, but wanted to continue to post my Barcelona sketchbook pages.  Today Part 3.

Gracia was just north of our hotel and we walked for hours exploring the tiny streets. 

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After miles of walking, we returned to our neighborhood and had lunch at Café Jaime Beriestain.  We loved the restaurant and returned later in the week for an equally good dinner.  This plant was right across from me as I ate.

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Roman ruins under the Barri Gotic Cathedral are 4000sq meters for a population of 1000 .  There is an excellent audioguide to this fascinating glimpse of ancient Barcelona.  There are walkways suspended over individual sections of the ruins, which can be seen in my photo below.  The winery was extensive and wine was their largest export.

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I sketched the objects we saw in the museum - some of my favorite shapes.

 

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I reread Zafon's book The Shadow of the Wind while in Barcelona.  One evening I read that the main characters were meeting in the Cloister of the University, and on our long walk to the Ancient Medical Complex, we went into the main building of the University of Barcelona (started in 1450) and sat in the Cloisters.  It is beautiful!

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We then walked through several of the buildings from the Ancient Medical Complex (15th-16th C), although the anatomy amphitheater was closed.  We sat in the Garden between the buildings and before leaving went into the Biblioteca Barcelona which was created in these buildings.  I sketched only two arches from the colonnade which surrounded me in the Garden.

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November 1, 2016

Barcelona Travel Sketchbook - 2

I am determined to create a vacation Travel Sketchbook when we are on trips, yet I find that I constantly have to remind myself to draw by having internal dialogues each day.  My primary goal is to draw/paint a minimum of one page per day.  I arrived in Barcelona after an overnight flight with horrible bronchitis and no appetite, so as we struggled to remain awake, we returned to our favorite Tapas restaurant just 2 blocks from our hotel.  As I sat there, tired and sick, I knew that I needed to start drawing, and reminded myself "just draw what is in front of you."  So I did.

 

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The next day we walked through Barri Gotic, stopping for Brunch Tapas in the Plaza in front of the Cathedral.  Once again, I decided to just sketch what was in front of me from our outdoor restaurant. 

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October 12th, Columbus Day, is a National Holiday in Barecelona, and we spent the day exploring Gracia - walking many miles in the process.  As we returned to Passeig de Gracia we saw the Casa Fuster hotel in daylight.  WOW! Another gorgeous example of modernist architecture in our neighborhood. 

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We sat in the small park across the street and I sketched the sculpture in front of me while my husband did the daily New York Times crossword puzzle.   He is fast, so I have to plan my drawing time accordingly.

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I will upload drawings from three more days later this week - while I'm at the International Quilt Festival in Houston.  And I still need to add a watercolor wash to other paintings.  I have at least two more Sketchbook blog posts.

October 25, 2016

Museum Visits - Dubuffet and Klee

I met my friends, the day after we returned from Barcelona, for two museum visits in New York City.  We marveled at Dubuffet's Drawings at the Morgan Library, had lunch, and then went uptown to the Met Breuer to see the Paul Klee exhibit.  I always draw from the originals at these museum visits and here are 3 sketchbook pages from Dubuffet and 1 from Klee.

Dubuffet - La Vache:  Loved the whimsical drawing.

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Two drawings: Jean Paulham and Personnage:

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Several fun figures - two in cars - from a very complicated painting called Baba Solstice.  Such weird little figures in his drawings:

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I love seeing Paul Klee's paintings, but so many of thesm are exercises in painting and design.  I painted one of the most realistic draiwings:  Adam and Little Eve from 1921. 

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October 22, 2016

Barcelona Travel Sketchbook - 1

We returned from Barcelona this week, and I wanted to start posting some of my travel sketchbook pages.  Today I will post recurring features that I make part of each of my travel sketchbooks.  Then as I finally paint the rest of my drawings, I will add them to my blog.  I have photos taken of the site for each ink drawing, so I can remember the colors.  My husband is very patient, so I always have 15-20 minutes to do a drawing on site, but I don't want him to wait while I paint.  Sometimes I paint during lunch, or a late afternoon glass of wine.  But this time I returned with more unfinished pages than usual.  This plan will help me finish a travel sketchbook that I really enjoyed making, otherwise I may get busy and forget about my overall plan. 

I always draw Mickey in his bread dough plane (from Maurice Sendak) on the title page for overseas trips, and I add every piece of information I can think of to make sure a lost sketchbook will be returned to me.

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Before we leave I create a calendar on several pages, so I can fill in our activities at the end of each day.  This is an example from 3 days. 

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I also make a series of 2 X 2 squares that I can fill in daily, adding some image that will allow me to remember a highlight of the day.  Here are the squares I painted during the entire trip.

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A View from our hotel window.  I am far behind in Liz Steel's Buildings online class, but wanted a quick sketch of the top of the back of this beautiful apartment building in Eixample, Barcelona. 

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