Paper and Threads

Yupo, a synthetic plastic "paper," was discussed many times over the years on the Everyday Matters message board and/or members' blogs.  However, I never was interested in playing with it until I saw wonderful watercolor paintings, using crayons as a resist, on Yevgenia's blog. 

You can search her blog using the word "yupo" and see what I mean.  Yevgenia has a good, short,  tutorial on her blog about painting on yupo and she was wonderful to answer my questions by email. 

My Journal Study Group, 4 artbuddies who all keep sketchbooks, make art quilts, and love bookbinding, meet regularly in NYC for afternoons or full days of fun.  While we were on one of our field trips, we stopped in DaVinci's Art Store and I bought a sheet of yupo to play with.  Yesterday we gathered in my apartment and tried painting on it.  At one point, during lots of giggles, I said that I thought that we were at the very bottom of the "Yupo Learning Curve."  I hope Yevgenia isn't horrified by my very first results.

Here is the evidence:

           These are 4 paintings on Yupo that are cut the size of shipping tags.

I don't think that I will use yupo very often, but I truly believe that it is important to get out of your comfort zone and really play - preferably spending the time with like-minded friends who love to laugh.

Next:  My preliminary "lines" with a ruling pen using thickened black dye on fabric:

 My artbuddy Melly is responsible for this departure from my comfort zone and she even brought her ruling pen yesterday to give me another quick, in person, tutorial.  I'll post these "line drawings" after I have a few more.  I'm really excited about the possibility of drawing on fabric with dye and a pen!!  Think about the book cloth covers I'll be able to make for sketchbooks in the future!

Posted by Shirley at 10:05 PM | Permalink | Comments (10)

I still draw faces when I'm out around NYC - as part of Carla Sonheim's Drawing Lab book.  This is a long term project for me, and I probably will still be working on my 100 Faces months from now. 

These are 6 of the recent faces that I drew from life - a security guard at the Social Security Office, a girl on the crosstown bus, audience members at the theatre and at a Textile Study Group lecture,  a page at WABC-TV, and an usher from the NY Philharmonic open rehearsal,

I got bogged down at Lab 36 of the Drawing Lab book and finally skipped it and moved onto 37.  My goal is to continue working through the exercises sequentially now to the end of the year.  And I'm simultaneously reflecting on any progress in 2010 and making some personal art goals for 2011.

Posted by Shirley at 4:29 PM | Permalink | Comments (9)

I discovered that they were having a special evening at the Society of illustrators this week after I arrived.  There was a brief announcement the week before that I didn't hear and a listing in the program for Illustrators Week.  There were 4 musicians (instead of the usual two), at least twice as many artists sketching, and an audience full of well-known illustrators (but certainly not to me).  The energy in the room was amazing and the drawings that I could see from my seat were incredible. 

There were two models, as usual, and an illustrator - in street clothes with an added mask, or hat - posing with them for 10 minute poses.  It was difficult for me to draw 3 models in 10 minutes, so I focused on what I could do and just enjoyed the experience.  Here are sketches with two illustrators who were sitting near me - both are fashion illustrators

This was one of the models with Bil Donovan - a very friendly and amusing man.  I sketched in 9B graphite and had trouble increasing the contrast without also increasing the smudges!

The final illustrator modeling (out of approx 10) was Robert Richards.  He sat behind me throughout the evening and almost every other illustrator took the time to come greet and speak to him.  When I looked him up, I learned:  "The New Yorker multi-talent Robert W. Richards started his career as an illustrator for the fashion world; his striking talents delighted the fashion tsars in Paris and Rome. His clients included Yves St. Laurent, Valentino and Gaultier, among others. He drew portraits of Hollywood stars like Cher and Tony Curtis, and worked for years with gay publications like The Advocate and Mandate."

It was a memorable evening - and I will certainly attend if they celebrate Illustrators Week the same way again next year. 

Posted by Shirley at 2:03 PM | Permalink | Comments (8)

While I was at the Houston Quilt Festival, I spent a wonderful afternoon with Raena, one of the EDM members who lives in Houston.   We've exchanged comments on our blog entries, but never met in person, so this was a great place to sketch together.  We each selected one of the dolls from the exhibit to sketch and then sat and talked and painted for the remaining time before she had to leave.  Here is my doll sketch.

And here are Raena and I - photographed by an anonymous Quilt Festival attendee who surprised us by actually having read Danny Gregory's book Everyday Matters.

Posted by Shirley at 8:13 PM | Permalink | Comments (11)

Four really scarey-looking "almost one continuous line" drawings of a face.  In spite of watching Picasso do this on a brilliant DVD, I have trouble figuring out how to draw all parts of a face without lifting my pen. 

Many of my artist friends love drawing with a Pentel Pocket Brush Pen.  I have trouble controlling it, but in addition, it is not water-resistant on the Fabriano Artistico 140 lb soft press paper that I bind in my watercolor journals. 

So today I decided to test it in the Strathmore Visual Journals.  You can see all of the other tests I've done in these journals by clicking on the Strathmore category on the right sidebar.  The paper used on the bottom right was watercolor 90lb, but I lost the label while cropping.

I quickly sketched each face, waited no more than 10 minutes, and then added the watercolor wash.  The ink did not leak through any of the pages, and it was water-resistant on all of them.

These papers feel different to the touch, but I can't really tell any difference in how they handle the ink or the paint.

Posted by Shirley at 7:23 AM | Permalink | Comments (3)