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March 11, 2016

Wonderful Art in NYC Week

 

Art on Paper Art Show:  Some weeks there are major Art Shows all over the City.  Last weekend we chose to go to the Art on Paper show because of the number of drawings and watercolor paintings they exhibit.  During the show, Laurence Villieres sat on the floor and built this giant gorilla from pieces of cardboard she collects from the streets of Montreal.  Impressive!

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Sotheby's Auction Preview - Modern and Contemporary South Asia Art:  My friend Pat and I love this Sotheby's Auction preview which is part of NYC art Asia Week.  While Pat was copying a Matisse-like painting on her iPad, I sketched two of my favorite figure drawings - adding paint later.

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After lunch we went to member previews at the new Met Breuer and spent several hours viewing their opening exhibit -Unfinished: Thoughts Left Visible.  The paintings and drawings selected included work as early as Titian, and as late as Pop Artist Roy Lichtenstein.  I especially loved seeing the many paintings that still had their underpaintings and drawings visible, with nearly complete oil painting on the rest of the surface.  The amount of information on each identifying card was both a wonderful extra, but also a problem in an exhibit that will be so crowded after the official opening.

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There was live music in the lobby gallery all day and I couldn't resist standing in the crowded space listening to jazz and drawing the bass player right before I left. 

March 4, 2016

Figure Drawing on Top of Watercolor Background

Yesterdaty was our Figure Drawing Day at Battery Park City.  I brought some small pieces of watercolor paper (6 X 10") that had watercolor on them from other projects, and used them for my drawings.  My mindset for these Wednesday afternoon sessions is to "play and loosen up." Yesterday I decided to draw the figures in pencil over the paint and then to paint the figures with more watercolor.  Here are 3 five minute poses and 1 ten minute pose.

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My other 10 minute pose was drawn over a dark brown block of watercolor and I decided to draw in pen and not add any other paint. 

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I also used a General Sketch and Wash pencil for our final 20 minute pose - drawing with the pencil and then adding only water to pull the graphite to shade the figure.

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March 1, 2016

Cooper Hewitt, the Smithsonian Design Museum in NYC

On Friday my friend Eunice and I went to the Smithsonian Cooper Hewitt Design Museum - my first visit since the major renovation.  We loved "Beautiful," the Triennial Design Exhibit.  There are many types of articles: jewelry, clothing, furniture, textiles, books, ceramics, wallpaper, drawings, and calligraphy to name some.  What makes the visit even more enjoyable are the number of ways you can interact with the designs.  When you enter you are given a wand - with a stylus at one end and a scanner at the other.  The scanner allows you to upload information and photos of each item in the exhibit to a personal account by touching an icon on the exhibit card.  With a unique password on your ticket, you will then be able to open "your virtual tour" when you reach home.  The stylus lets you create designs on many flat computer screen tables that are scattered throughout the exhibits. 

I loved a wallpaper design from the exhibit which was created by "Studio Job" a company founded by Nynke Tynagel (Amsterdam) and Job Smeets (Brussels).  Here are 3 of their wallpapers strips - each 29 feet without repeats! 

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This image was drawn from my favorite - the strip in the middle.  The background was a wet-in-wet watercolor page and the face was drawn on top of it and then painted after it dried.

  

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There are several other current exhibits at the museum, and I want to return soon to really carefully look at the Pixar exhibit and the Design Lab.    

February 26, 2016

Battery Park City Still Life Paintings

Still Life #1  We had limited props for our still life drawings yesterday, but some of the clippings from the Park Conservancy, including pussy willows, were lovely.  I decided to play by drawing the arrangement with a brown watercolor pencil and then painting with watercolor over the watercolor pencil.  Brenda Swenson sketched with a watercolor pencil and then painted with watercolor in her demo in Sketchbook Skool Seeing.  And I haven't used the technique since then. 

 

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Still Life #2:  My 2nd still life was set up with childrens' art tools from a supply closet, and two of my brushes.  This was another experiment - using glazing like Felix Scheinberger demonstrated in Sketching Skool Expressing.  I put water on my watercolor paper and then dropped in 4 colors to make the background.  After it dried completely, I sketched the "tools" in pencil and then painted them in their original colors as a glaze.

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I feel completely free to play when I'm at these art sessions and quickly get in the flow and experiment.  It feels great. 

February 23, 2016

Blotted Line Image Transfer

I was intrigued by Andy Warhol's use of this technique when seeing it in the 2015 Warhol exhibit at MoMA, and attended one of their art sessions to learn the technique for making these transfers.  Here is information and photos of Warhol's prints, and my transfers from the museum.

http://www.paperandthreads.com/2015/07/warhol_blotted_line_prints.php 

Last week, on Sketchbook Skool Semester 5, Penny Dullaghan, an artist illustrator, taught her technique for making blotted line image transfers as one of 4 print-making techniques, and she used a brush and India ink, instad of a fountain pen and water-soluble ink like I tried at MoMA. 

 

This was the image I created at MoMA using a disposable fountain pen - and tracing paper (left) and smooth Bristol paper (right) that were taped together for us in a packet.   The ink was soluble so I didn't add watercolor.

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Here are 3 images I transferred using a brush and India ink per Penny Dullaghan's method in Sketchbook Skool 5.  I used Canson Vellum tracing paper, Fabriano Atistica 140 lb watercolor paper, a #1 round brush, and India ink.  I like the expressive lines best when transferring the leaves.  The faces are more messy and would need more practice and probably a smaller brush.

Brush and ink - Leaves:  I like the random blobs of ink. 

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Axel: 

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Face:  The dots paper to the left side of the face are me experimenting with transferring dots, instead of 1/4" segments of ink with the brush.  I liked Warhol's dots (as seen in my blog link above) and think there are times when I might want to use them.

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