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June 10, 2014

Making a Simple Sketchbook - The Double Pamphlet

Making a Double Pamphlet Book is one of the easiest and fastest ways to construct a watercolor journal, a sketchbook or simple notebook.  This is a watercolor sketchbook that I made in less than one hour and it has 24 pages of 140 lb watercolor paper which is perfect for a short trip or special project. 

The cover illustration is one of my watercolors that I scanned and printed out on matte presentation paper.  You could paint, collage, stamp or stencil the cover based on the cover paper you choose.

 

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You can select any paper for the two signatures and cover.  The only requirement is that you determine the paper grain and make the folds parallel to the grain.  But I suspect that it is less of a requirement for this simple book than a hard-backed, cased-in, multiple signature book.

The other supplies are relatively easy to collect - and there are many substitutes.  Here is a photo of the supplies that I used.   

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Ruler, Scissors, Bone Folder (or something else to press in the folds), Awl (or any sharp tool to punch holes), pencil, pen, Binder's Needles (or any other sharp heavy needle), Linen Bookbinding Thread (or carpet thread, dental floss, embroidery thread etc), X-acto Knife. 

Preparing the Paper:

Fold 2 signatures out of the paper you want for your journal.  I used 140 lb paper and I tore 3 folios for each signature.  With thinner paper you could increase the number of folios in each signature.  See the definition of folios, signatures, and paper grain below.

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Some Useful Definitions

A folio is the full size page that gets folded in half to make up the signatures.  Each folio will make 4 single-sided pages in the book.

A signature is a collection of folios, all folded together.  I use 140 lb watercolor paper and only two - three folios can be put in each signature.

Grain is the orientation of the fibers in the paper - very much like fabric.  Handmade papers don't have grain.  When making a book, the grain of the paper needs to be parallel to the spine of the book unless you want a wonky book.  This is the first and last rule of bookbinding. 

 

My folio measured 7.5" X 11.25 ".  The signature measured 7.5 X 5 3/4".

 

I used Canson Mi Tientes paper for the cover because it comes in many colors and is like card stock in thickness.  It is easy to fold and punch for stitching.  The paper grain is parallel to the short side of the sheet, so I wanted a paper that was wide enough to make the book (11.25 + 1" for the inside tab + 4-6" for cover flaps).  This will become easier to understand as you read the next section.

 

I used a metal ruler and X-acto knife to cut the cover across the longest width of the paper and then folded it in half.  

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It is then necessary to score the paper 1/2" from each side of the fold and fold the front and back covers along that scoring line -in the opposite direction from the center fold.  See the next few illustrations to understand why - it is the only confusing part of this book structure.  

You will create a tab in the center of your cover - and this will be the part of the cover you use to stitch the signatures to the cover in one simple pamphlet stitch. 

 

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Getting Ready to Stitch Your Book Together:  THIS IS THE SINGLE MOST IMPORTANT PHOTO!!

Open each signature and line up the folds against the  fold creating the tab.  Note that one signature opens in one direction and the other signature opens in the opposite direction.  You are now going to use a single pamphlet stitch through all 3 layers at the same time!  I cut my cover 1/8" more than the height of the folios to make sure that the cover protected the paper. 

Notice that the fold in each signature is lined up with the folds you created to make the tab.  You will punch holes into the fold of each signature and in the folds that are 1/2" from the center fold in the cover. 

 

 

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I made what bookbinders call a jig to punch my holes in both signatures and the cover.  A jig is essentially a pattern that you can use to mark holes in the same positions on multiple signatures.  Mine is a piece of paper that is about 3" wide and the height of the book cover.  I marked the jig 1" from the top and bottom of the cover and in the middle - for a total of 3 holes.  I then laid the fold of the jig in the fold of the signatures and the folds of the cover and punched holes with my awl.  A phone book makes a wonderful support for the process because you can nestle the folds of your signatures and cover into the fold of the phone book.  I punched the holes in each section separately because the papers were too thick to do them all together.

 

In the next photo you see the cover being punched.  The tab is to the left, under the jig and the rest of the cover is to the right, and I'm punching the holes through two layers of the cover in the folds creating the tab.  

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After the holes are punched, align both signatures, one on either each side of the cover tab as demonstrated in the earlier photo - and you are ready for stitching!

 

The Pamphlet Stitch:  There are many diagrams and video tutorials to learn a 3-hole pamphlet stitch.  I've included a basic summary below.

Cut a length of thread 3 times the height of the signature.  Pass the needle out the center hole, leaving a 3-4" tail for tying later.

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Pass the needle back in through Hole #2 and out of Hole #3.

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Then pass the needle back in through Hole #1.  It is important to have the two threads that are in hole 1 to straddle the long stitch between Holes #2 and 3 as in this photo below.

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Make sure the thread is pulled tight through all of the holes and tie a secure square knot ( I tie a square knot twice so it can't come undone). Then clip the ends to about 1/2".

 

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Creating Flaps:  If you added several inches on each side of your cover, you can now fold them in over the signatures creating flaps.  They can even be glued down across the bottom to create pockets.

 

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You can now decorate your cover with collage like I did, or paint, stamps, stencils, screens etc.

 

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HAPPY BOOKBINDING AND PLEASE CONTACT ME WITH ANY QUESTIONS.  I'd also love it if you would leave me comments if you would like more bookbinding tutorials. 

Here is a link to my tutorial for creating a watercolor journal from an old, orphan book.

http://www.paperandthreads.com/2012/02/watercolor_sketchbook_tutorial.php 

 

June 7, 2014

Beach and Flowers

We are at the end of our beach vacation, and I have several more daily sketchbook pages and two exercises from a Craftsy Class I am taking with one of my friends while we relax in the house.

Some Drawings From Our Local Fish Store:  More buoys, a swordfish sculpture above the door, and one fish from a series painted across the front, right under the roof edge.

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Morning Breakfast at the Beach Snack Shack:  My friend Renee across the table.  

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More Shells:  A small oyster shell, a slightly chipped scallop shell, and my first (broken) Channeled Whelk Shell.

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I bought the Craftsy" Painting Watercolor Flowers" class with Mary Murphy so Sara and I could watch the lessons and paint together during afternoons.  Here are two exercises - a value chart and rose in one and very wet-in-wet "fantasy" flowers in the other. 

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June 3, 2014

Beach Week

I LOVE our early morning beach walks with two other couples.  We walk one mile from our starting point and then turn around and walk one mile back.  On weekdays we can have breakfast at the Snack Shack and sketch, paint, and talk.  During our walks I constantly look for shells, and I'm surprised at the variation of shells and other things we find on the beach, which changes from year to year.  Last year we learned about sand collars - mucus/sand 8" diameter flat structures made by moon snails and under which moon snails lay their eggs.   This year moon snails of medium to large size are everywhere, but there are NO scallop shells.  However, I found 3 whelk shells - two new varieties - which are definitely unusual.

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Our local fish store has several walls of bouys which hang on picket fences in front of the entrance.  I love the variation in shapes and colors 

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May 30, 2014

First Beach Visit - 2014

We arrived on a cold, windy, drizzly day - and since then had two glorious morning walks on the beach.  This is our 6th annual visit with 4 of our friends that we've known since 1967!  We take 2+ mile walks on the beach each morning, do a little shopping for dinner, relax reading, drawing, painting, swimming - and then spend quiet evenings in the house most days doing a variety of different activities.  TOTAL RELAXATION!

Here is my husband arriving on the sand for our first beach walk of the season, followed by two photos of the beautiful beach.  It was 47 degrees at 6AM each day and barely over 50 when we arrived at the beach!

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I made a new sketchbook for our summer beach visits and this is part of the title page - which also has all of my contact information in case it gets lost.  This is my current palette and one of several sea gulls I painted on the title page. 

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After our walk, we have coffee and breakfast at the snack shop on the beach and relax in the warm sun.  These are the two sketchbook pages I did there- one per morning. 

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All pages are photographed, not scanned, while here at the beach.   Just picture them with nice white backgrounds!

May 27, 2014

Faces and Hands

Central Park Sketching and Art Meetup Group:  We met yesterday at Stuyvesant Square for a Portrait Party.  Four of us sat together and simultaneously sketched each other. It was somewhat difficult to sketch a face when our subjects were also sketching - but it made for some good laughs. 

After the first hour, three more members joined us, increasing our number of subjects.  I used a plain 2B mechanical pencil and just added one portrait after another to a large sheet of watercolor paper.  In the end, I decided not to add paint....

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My husband and I are watching "A Touch of Frost" - a British police procedural - and last week Netflix posted a May 28 end date.  I took a screen shot and sketched Jack Frost and his superior Norman Mullet to remember how much we enjoyed this sensitive,  curmudgeonly, unorthodox, brilliant detective.      

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I periodically do a quick sketch of my 95 year old mother.  Most don't look like her, but the sketch ladies resemble each other.  This profile is a little better than my full face sketches.

 

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I constantly practice drawing hands.   The Met had a wonderful exhibit by the 19th C sculptor Carpeaux and I loved seeing his practice drawings.  Here are 3 pages - one drawn from a Carpeaux sketchbook drawing, and the other two from magazine drawings. 

 

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