Paper and Threads

Pat and I met at MoMA for an informative lecture on Degas' current exhibit in the morning and then went downtown for our first visit to the Center for Italian Modern Art (CIMA).  The current exhibit is on Italian artist Giorgio Morandi (born Bologna1890-1964), which opened last Fall and will end on June 25th.  In my college modern art course textbook (John Canady Mainstreams of Modern Art) he is described as "painting a few ordinary bottles and bowls, combined and recombined in picture after picture, yet without monotony...."

Morandi Self-Portrait:  1930 

I first saw Morandi's paintings at the Met in 2008.  I knew nothing about him as an artist, and wasn't really sure how I felt about his obsession with painting rows of bottles and other similar vessels.  Last Fall, we visited David Zwirner's Gallery in Chelsea and I had a new appreciation of his paintings.  Following that visit, our friend Judy told us about the Center for Italian Modern Art, and it took Pat and I until now to visit there. 

CIMA is located on the 4th floor at 421 Broome Street and you need to make reservations for guided tours on Friday and Saturday afternoons.  Our tour guide was an Italian research fellow at CIMA and she was amazing!  Behind her are photos taken by Joel Meyerowitz in Morandi's Studio in Italy.

We were shown into the kitchen and served espresso or coffee - in Pantone color cups which I loved. 

As we walked around the lovely galleries, I sketched one bottle each  from some of the paintings and painted them when I got home. 

This view of his Studio/Bedroom raises many questions in my mind about him as a person.  We know that he lived with his 3 sisters in Bologna until his death.

One last photo - taken from the window in the CIMA Library - of a neighboring rooftop.  I'd love to draw and paint this for a glimpse into our big city life.

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I love figure drawing and I'd love to be able to capture the hand positions of the models.  If I succeed at all, it is only in the 20 minute poses.  These hands were all drawn from photos I collect from fashion catalogues or the New York Times Magazine sections.  My drawing was done with a watercolor pencil, without adding water.  I love how easily it erases and can convert it to paint at any time with a watercolor brush. 

I found a great watch advertisement with 4 hand photos and was inspired to keep drawing this week.  Here are the two that I finished.  

Posted by Shirley at 7:00 AM | Permalink | Comments (2)

Neue Galerie currently has an exhibit of Edvard Munch and his influence on German and Austrian Expressionists, including Beckmann, Heckel, Kirchner, Nolde, Kokoschka, and Shiele, among others.  It is a wonderful exhibit and we followed it with a visit to Galerie St. Etienne which is exhibiting Ernst Ludwig Kirchner drawings and watercolors.  Pat, Eunice, and I were enthralled with the art seen and each selected a few things we wanted to remember.

http://www.neuegalerie.org/content/munch-and-expressionism-0 

This painting by Munch is entitled Two Human Beings: The Lonely Ones.  I was struck with the simple separation of figures which demonstrated the emotion of loneliness.  I was inspired to draw a simple version of this painting, and long thin figures from a woodcut by Otto Mueller.   

I spend lots of time doing figure drawings, and I'm very interested in how the Expressionists distort figures.  I've drawn Schiele and at this exhibit I wanted to remember Mueller's figures from a complicated woodcut - so I only sketched the figures, not the complicated black ink background in The Boy with Two Standing and One Seated Figure.

At Galerie St. Etienne, Kirchner's drawings were VERY loose, so I decided to sketch two of his more defined images - one a litho and the other almost a single line drawing.   

http://www.gseart.com/gse-pages/Current_Exhibition.php

I recommend both of these exhibits for anyone interested in Expressionism.  Norwegian Artist Edvard Munch is definitely more than just the painting and woodcuts of The Scream. 

Posted by Shirley at 3:29 PM | Permalink | Comments (1)

This was the last of our 9 Art Sessions at Battery Park City until the drop-in program begins in the South Cove from May - Oct.  Our model was Claudia, and there were many challenging poses this week.  

Two Minute Poses:  Three chosen from 10 drawn.  I'm beginning to feel as if these are easier for me.  I draw with a 4B graphite pencil on Newsprint.

Five Minute Poses: Three of four that I sketched with General Sketch and Wash pencil and shaded with a NiJi waterbrush.

Ten (Left) and Twenty (Right) Minute Poses:  The watercolor was added during the 10 minutes pose time, and the soluble graphite was spread with a waterbrush during the 20 minute pose. 

Twenty Minute Pose:  I shuddered as our Art Instructor kept rotating the head of the table away from me and my view had increasing foreshortening.  It is hard to remember to draw only what you see in this instance, but I did it and now feel more confident about these challenging poses.

Today I went to Neue Gallerie with friends and saw so many inspiring figure drawings/paintings by Munch and the other Expressionists.  After lunch we went to Galerie St. Etienne and saw "quick" Ludwig Kirchner figure sketches.  I recommend both exhibits, but especially Neue.   

Posted by Shirley at 8:16 AM | Permalink | Comments (1)

The Battery Park City Winter Art Sessions are divided between Figure and Still Life Drawings.  Here are my still life drawings from the last 2 sessions.

As I was walking to Battery Park, a florist delivery man lost two orchid flowers from the plant he was carrying and I picked them up before they could be squashed by feet on the crowded sidewalk.  They were a perfect subject for a quick painting. 

The Artist in Charge of the session created a still life set up that made me think of San Antonio Spring Fiesta because of the colors and the tambourine and maracas.  We lived there for 18 years and the bright Fiesta colors were absorbed and internalized.

I threw my articulated wood hand model and silk rose in my bag on my way to the next session, and then added Danny Gregory's Shut Your Monkey book which I was reading on the subway and during my lunch at Brookfield Place in Lower Manhattan.  Danny's book is all about your inner critic, how to analyze and deal with the one that each creative person has.  His is a monkey.  Mine is a hypercritical, old lady - who sometimes looks like a bag lady.

 I ended that afternoon by sketching my hand model in 3 different positions with a soluble graphite pencil. 

Tomorrow is the last of our 9 sessions and I'm so happy that it is figure drawing!

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