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August 10, 2012

More Faces - Sonheim Drawing Lab 16

I am still trying to finish my 100 Faces for Carla Sonheim's Drawing Lab exercise #16.  I forget about it for weeks at a time.  And then as I'm leaving our apartment for a day on buses and/or subways, I grab my watercolor cards and pencil case - and complete several.

The first several Faces were from a ride downtown on the #6 subway.  Subject #69 was asleep, but very briefly because he jumped up and got off the train one stop after I started my sketch.  Subject #70 was a gorgeous little girl - with corn row braids and many barrettes holding her hair in place.  She had on very dark sunglasses and probably watched me draw her from across the aisle.

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Subject #71 is a Home Health Aid at my Mother's Retirement complex.  I sketched her in pencil several months ago while we all sitting in a common area.  But I didn't add ink and watercolor until last night.

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TWENTY-NINE MORE TO GO BEFORE I FINISH!

August 5, 2012

Stencil Magic Class - Part 2

I LOVE Melanie Testa's online Stencil Magic class.  Afte finishing the 4 classes, I feel as if I've learned enough to create multiple types of stencils and to develop many different images.

I reworked another doodle and made a stencil from one of the drawings in the lower right corner of this page.   The intersections of the grid lines were left blank on the stencil so I can add circles or squares and paint them individually.   

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Here is the stencil print which I painted in red and green - might be useful to make cards, tags, and wrapping papers at Christmas if I use these colors.

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I made another stencil, inspired by an image from Owen Jones' book The Grammar of Ornament (1856) and republished by Dover Books (1987).  It was printed with gouache, using a dauber, and the image is much crisper than my first prints.

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I followed Melly's directions to use photos as inspiration for stencils, and here is my penguin - first my photo from the Central Park Zoo, and then my images.

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From left to right: My Photoshop manipulated photo to convert it into Black and White as a stencil design, My first print from the stencil, and a Bookmark that I made using the penguin image.

 

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I did another exercise using one of my first stencils.  I painted watercolor paper wet-on-wet to create background color.  Then I traced one of the images from an earlier stencil with a watercolor pencil and painted the negative space around the image.  Finally, I added squares using a piece of construction netting as a stencil and traced and painted circles through a commercial stencil.

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August 3, 2012

Making Stencils for Art on Paper and Fabric

My friend Melanie Testa is starting a series of online classes through her new website which is called Clever Guild.  If you know either of Melanie's books, you know what a talented artist she is - on paper and on fabric.  I love the way she uses stencils for background images in her art, and I couldn't wait to take her new online class called "Stencil Magic" so I could learn how to make my own stencils.  I am a total novice, making only one previous stencil using contac paper and Shiva paintsticks.

For my first stencil, I used a doodle from my "Doodle Sketchbook."  If you are a reader of this blog, you know that I rarely doodled, and for the past year I forced myself to be more creative when I was visiting my Mom and we were sitting having coffee and talking.   This is a page of doodles from last August. 

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I scanned, cropped, and resized my purple flower doodle to make my first stencil.  Melanie teaches students how to convert a drawing, or photo, into an image that can be used as a stencil.  "Bridges" need to be created on the pattern in order to create details in the image.  This is my stencil, photographed over the self sealing mat that I used during the cutting, so you can see the image.

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Today I decided to use the stencil on paper, even though I haven't reached that lesson yet.  It was not a nice crisp image using gouache, but I'm sure that Melanie will teach me the best way to do this in the next lesson.

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I used a reference book on Medieval Illuminated Manuscripts for inspiration for my next stencil and here is the second stencil that I cut. 

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Here is my first, not very crisp, image using gouache on paper.

 

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While cutting the stencil, the mylar is laid over a sheet of paper with the chosen image, and carefully cut out with an xacto knife.  In the process of cutting th stencil, the paper sections are also removed.  I saved them and here rearranged them for another variant of this image which could also be made into a stencil. 

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This is a terrific class for anyone wanting to create their own stencils for repetitive images on paper and/or fabric.  It is a rolling class, so you have access to all 4 classes as soon as you sign up.  And the video access is indefinite, so you can return to them over and over. 

It's time for me to go watch more videos in the next class!

July 30, 2012

My First (and Maybe Only) Zentangle

I watched Kass Hall's webinar last week to learn more about the zentangles that I see on some blogs.  I was immediately curious about an art technique that required "certified teachers."  So I searched out the originators of this process to learn more.

I've already confessed that I'm not much of a doodler, and take a doodle notebook with me each week when I visit my elderly Mother so I can try more playful drawings - including lots of one-liners - when we are sitting having coffee and talking for an hour.  

In my research I discovered that zentangles are drawn on 3 1/2 by 3 1/2 ' tiles, using a "string" or random set of pencil lines to divide the area, and that there is a growing collection of patterns used.  I tried some of the patterns as part of my usual "learn it by myself" strategy.  And then I suspended my judgement, and with the Olympics in the background did my first zentangle.  Serious tanglers are going to recognize the patterns I copied. 

I'm going to have to wait to see if my brain and drawing hand returns to these patterns as part of my doodles. 

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July 27, 2012

Adult Art at Battery Park City New York

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Last year I learned about a free Battery Park City Parks Conservancy adult art program.  I went approximately 6 times last year between May and Oct, and this year already attended Figure al Fresco 3 times.  I bring my sketchbook, pencils etc, but they provide free art supplies and sometimes get some curious visitor to sit down and join us.  I still love sketching nude models best, but find the challenge of drawing clothed models a nice change. 

I was downtown Wednesday morning and dropped by the Elements of Nature Drawing session in Wagner Park.  This is where I painted the day liliy at our Meet-up Drawing Session several weeks ago.  This week the hibiscus were in bloom - and HUGE.  The session was almost over, but not before I painted a hibiscus.

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My friend Judy (artist who sketched the figure on the Adult Art brochure) and I then walked to South Cove for figure drawing.  Here are a few of my sketches of the male model - who was wonderfully inventive in his poses.

One Minute Pose - I love these - no time to think or fuss!

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Two Minute Pose

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Five Minute Poses:  I think these may be my favorite pose length - not much time to think and I still am sketching when the model changes position.

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This one makes me giggle.  Only when I finished it did I realize that the model was resting his elbow on his knee - thus the arrow pointing a my huge area of  "negative space."

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Ten minute Pose:  The model wheeled over his bicycle, put the kickstand down, and climbed on for the 10 minute poses.  I sketched in watercolor pencil and then used a Niji waterbrush to spread some pigment. 

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