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October 28, 2013

And Then We Rested

Kathy and I spent Saturday out in the City - the Metropolitan Museum of Art for Interglobal Textiles, the Fashion District annual Open Studios, and an opening at ACA Gallery for Aminah Brenda Lynn Robinson, one of my all-time favorite contemporary artists.  So we decided to spend Sunday, her last vacation day, playing in the apartment.

I taught Kathy how to make the File Folder Journal that I previously posted (from Cloth Paper Scissors).  Here you can see her assembling her journal.  When we finished them, she taught me how to make a bracelet with the beautiful beads on the right of the photo.

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Here is my second File Folder Journal - and I'm planning to use it to keep track of my most important current projects.  The paper used to cover the folder and the pockets is color copies of a collage book on alphabets and text that I made at the MoMA Print Studio in 2012.  The cards are gray-toned Strathmore paper that I laminated to 246lb Strathmore acrylic paint paper.

I rotate index card lists in and out of the pockets in front of the cards when I'm using these journals.

 

Front Cover

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Pages 2 and 3:

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Pages 4 and 5:

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Back Cover:

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August 17, 2013

Bookbinding for August

I selected the "Two Sewn As One", or Double Pamphlet, book for August.  It can be found under both names.  Two signatures are created, and then opened with one sig valley fold down and the other valley fold up.  The 3 (or 5) holes are punched together, through both folds at the same time, and then sewn using a standard pamphlet stitch.  There are two folds visible on the spine, but essentially no thread. 

If you want a cover, the paper is folded in half, and placed between the signatures, with 1/2-1" of the cover mountain fold to the right of the sigs center folds, and the rest of the cover to the left.  It can also be punched at the same time as the signatures and sewn with all 3 layers together.

Here is my book, made with a cover and center mountain fold between the sigs.  It was so plain that I stitched on a print of a collage I did that was inspired by Venice.

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You can see the placement of the cover fold, and the flaps I added, in this photo.  Imagine that you were going to open both signatures and the cover - moving them all the way to the left at the same time, and you will see how they are layered for stitching.

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I then wondered if there was another way to attach a cover, and made the following small samples. In the book on the left, I added the cover after the two sigs were sewn together by going through the holes from the back sig to make another 3 hole pamphlet stitch.

In the book on the right, I stitched a decorative paper in, wrong sides together, as I did with the orange cover in the first book.  I then attached the book to the cover by gluing on the decorative paper on as end papers.

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These are very easy books to make and can be bigger than the usual pamphlet stitched book. Does anyone have a source for large sheets of sturdy, cover weight, decorative papers? 

This month I also made another fabric book cover.  The idea and the measurements came from a Quilting Daily Webinar presented last week by Christina Lane and Diane Gilleland.  I used some of my New York City fabric, and red lining fabric, for this cover which fits a Moleskine Cahier notebook.  I really like it and can see it as a perfect small gift.

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July 29, 2013

I Can't Stop Making Books

 Making a Coptic Book from a Thrift Store Book: 

I bought this 8 X 11" book for $2 at a New York City thrift shop so I could try converting it into a Coptic book with watercolor paper.

I removed the page block and the book board inside the book cloth in the spine.  I cut the spine book cloth down the middle, folded it to the inside, and glued it in place.  Seven holes were punched in the front and back covers and I sewed in 4 signatures of 140 lb watercolor paper.  I plan to use this book for more watercolor painted figures.

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A Quilted Book Cover for a 6 X 8" Notebook:  Quilting Arts Gifts Magazine from Holiday 2011-12

This is another book idea that I liked, and I finally made it this past weekend.  It is a quilted cover with front and back cover pockets for pens, index cards, and extra papers. The taxi fabric is the pocket.  Here is the front.

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Here is the back:

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Here is the inside of the front cover:

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July 21, 2013

More Books Being Made Here

We are in the middle of a heat wave, and I prefer being in air conditioning as much as possible.  I am taking Mary Ann Moss's summer fun class called SEWN, in which we are making patterns on paper and then using those painted sheets in various projects. 

This week I made a book for the pattern sheets that I created in Central Park each morning over the July 4th holiday.  I wanted to remember those mornings and wanted to save the paper - intact.  So I had to design a book structure that let me put them in without punching holes in the pages.  I accordion folded paper, every 1/2", making 5 valley folds and glued the left edge of the pattern pages to the right side of the valley - like you do for flag books.  Then I made two covers and stitched the accordion between them using the Coptic stitch/accordion format.  Two more pages of patterns were used for the end papers and a few random small pages were collaged onto the backs of the other pages. This book measures 7.5 x 11".

It felt good to know that I'm really learning how to make and use the various book structures for handmade books.  Here are a few photos.  The covers were made from more sheets of my paste paper.  This paste paper design was created by rolling a pink rubber ball over the surface of the paper.

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This week I also made a pamphlet stitched book of watercolor paper using the basic instructions for Teesha Moore's 16 page book.  It uses a single 22 x 30" sheet of watercolor paper and creates an 8 x 10" portrait  book.  I modified the instructions for our second weekly SEWN project - and created octagons of my patterns mixed together with scraps of other papers left over from end papers etc.  I laid out two octagons on the book cover, filled in the surrounding areas with more scraps and stitched it all together on my sewing machine. 

I will use this book for more figure drawing practice - drawing with my paintbrush, so I put a print of my first few figures on the front and inside flap.  Then because I've never done it before, I added beads, as dangles, on the spine.

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Readers of this blog may know that my challenge this year was to explore one new bookbinding structure each month.  This is a photo of the books I made since January 1, 2013. 

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July 10, 2013

SEWN Sample Journal

I'm posting this set of journal photos to share with other class members in Mary Ann Moss' SEWN Class.   

I LOVE to make books - and this year challenged myself to make one new book structure every month.  It is great fun and I'm learning lots.  But making this book for the SEWN class was as much fun as any that I made since my last Remains of the Day book in December 2012.

I cut 2" squares of paste paper that I made this Spring - and two montypes from a Gelli Arts plate - and made a cover with a back flap.  The paper squares were spot-glued to 140 lb watercolor paper with a UHU glue stick and then machine stitched in place.  I added a spine strip to reinforce that fold, and a folded decorative strip for the edge of the flap.

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Seven folios of different sizes of watercolor paper were stitched in with a pamphlet stitch- and soon I will start painting patterns in my sample book as part of the Class 1 Homework.

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