Paper and Threads

The annual Masters' Drawing week was held in NYC this week and the snow had little effect on the gallery hours and auctions.  There are 32 galleries on the Upper Eastside of New York that feature drawings from hundreds of years ago to the 20th C.  In addition, auction houses schedule their Master Drawings Auctions during this week, ensuring a truly international gathering. They publish a guide to the participating Galleries and we visit them!

I love drawings and almost always love preparatory drawings to the famous oil paintings more than the painting, so this is one of my favorite art adventures. 

I went to 12 galleries on Wed and took a few photographs so I could either remember the drawings, or try to emulate them.  This 6 x 6" Study of a Horse's Head was drawn by James Seymour (1702-1752), and it was perfect for me to try out my new Brause pen nib and Herbin brown ink purchased in Paris.

On Thursday my friend Pat joined me and we went to the remaining participating galleries.  Many of them are in townhouses between 5th and Madison Avenues and the teeny elevators are always a fun part of the whole experience.  This is a drawing of Albert Einstein by Josef Scharl.  The gallery owner told us that Einstein sponsored him for his green card, and they were lifelong friends. 

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I registered again for Jeanne Oliver's class Studying Under the Masters, and this year the focus is on faces/portraits.  I draw from the Masters in museum and gallery exhibits whenever I visit, but I rarely can paint from their works.  So this class gives me an opportunity to study an artist a little more in depth, copy a painting, and then paint one of my own using some of the techniques learned.  Here are my blog posts from last year's class, 8 artists in just over 8 cold, winter weeks.  In most instances I copied oil paintings in watercolor and gouache to expand my knowledge of those mediums.  <http://www.paperandthreads.com/2014/01/studying_under_the_masters_mat.php>

This year Jeanne selected Vincent Van Gogh as her Master Artist and began by copying one of his watercolors.  I LOVE his drawings and watercolors and have copied several of them before.  But this was a new opportunity, so I painted Vielle Paysanne.   

Van Gogh did two paintings of Dr. Gachet, his doctor during the last months of his life.  I chose one of them to copy, and here is a copy of the original oil painting (left) and my painting in watercolor (right).  He looks somber in the original, but less so in my copy - not my intention.  

I was inspired by the story of Johanna Van Gogh and used her photos as a model for my "original" inspired by Van Gogh painting.  She was the wife of Vincent's younger brother Theo.  When Theo died, six months after Vincent, Johanna was left all of Vincent's art.  At that time his work was not appreciated, and she spent years arranging exhibits and sales in order to bring his work to the attention of the European public.  When reading her story, I was impressed by the tremendous efforts she made to preserve his legacy - a widow of just 28 with a new baby.  

I chose bright colors, split complementaries, like Van Gogh might have used, and short brushstrokes with watercolor paints.

What I learned about Van Gogh:

His entire art career spanned only 10 years.

During that time he created 864 paintings, 1030 drawings, 147 watercolors, plus a few works in other mediums.

There is now controversy about his cause of death, with some believing that he was accidentally shot in the stomach by someone while walking in the fields because suicides are rarely caused by gun shot wounds to the stomach. 

Next Week:  Pablo Picasso 

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The Weekday Urban Sketchers of New York City met in Arraignments Court a week ago to sketch the proceedings.  The action was fast, with the accused appearing before the judge, with the prosecuting and defending attorneys making brief statements, mainly about setting bail and court dates for their court appearances.  Occasionally a guilty plea was entered and the judge informed the felon about the process and confirmed the decision.  Our small group sat at the back of the courtroom and watched and sketched for almost two hours, without anyone paying attention to us. 

Judge, Lawyers, and the accused:  I grouped several of the felons, most in hoodies, the lawyers, and the judge in one composite drawing.

Near the end of the morning a Mother and Child came in for a few minutes and sat opposite me.  Several minutes after I began my sketch, she departed, and was probably a Wife or  Girlfriend who just was there to hear the Judge and the bail decision.  Many of the accused had family members who were there to confirm that they weren't a flight risk, and had ties to the community.

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MoMA is offering drop-in Figure Drawing twice each month during the Toulouse-Lautrec Print Exhibit.  The models are actors and there are many props for them to use to evoke the café society of the Belle Epoque in Paris.  An art educator discusses Toulouse-Lautrec, his style, and his manner of capturing the performers on paper in the Cafes.  He then gives us many specific exercises during the 90 minute session - most are 3-5 minutes, the longest is 10.  Specific exercises include 1 min warm up to draw the whole figure, a quick seated pose, contour drawing, blind contour drawing, and gesture drawing.  Today I wanted to post other drawing techniques that were new to me as exercises and great fun.

Seated Pose - Model 1, Fast Profile:  I had great difficulty drawing this model's head because of her hair style. 

Part 1 and Part 2 in Same Pose:  The model was seated on a windowsill and we had 10 minutes to sketch her.

Then we were given a small piece of colored paper and told to do a fast drawing of her in the same pose using a different tool.  I used a black Tombow marker. 

Model 2:  The 1 + 9 Minute Exercise:  We were asked to draw the entire model in 1 minute.  After we put our pencils down, we were given 9 more minutes to add detail to only one part of the drawing.  I loved this exercise and realize that I usually go back and add detail everywhere - and this seems much fresher. 

Capturing Active Poses:  Our model was asked to move from one body position to another, and then back again - relatively quickly (i.e. almost continuously back and forth).  We were asked to pick one point in the movement and draw it.  The model was repetitively lifting one leg to fix the strap on her shoe and then returning to a more stable position with both feet on the floor.  Her head rotated back to front as her body position shifted. 

Model 2 - 10 minute pose to place her in an environment with a foreground, midground, and background. 

A New Figure Drawing Exercise for Me:  Look at the model and draw her in only straight lines in 3 minutes.

I will miss these sessions after they end in March.  The models are terrific, and the two art educators we've had were incredibly skilled at keeping the sessions moving along, introducing many ways to keep sketches fast, fresh and fun.  

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I took Mary Ann Moss' Remains of the Day online class in late 2010 and decided to use the book as a "scrapbook" for my Art Adventures with friends in New York City.  This is one of my archivist tendencies that I love - and fear!  Since then, this is what happened.

My new book for 2015 was just completed and here is the book - still skinny.  I have many fabric scraps that  I dyed while working out surface design methods.  I chose a red and gold piece of fabric and then pulled all scraps that coordinated with it to make this cover.  I finished the cover on Tuesday and Wednesday night selected a variety of folios for the pages.  There are two signatures, each with 12 folios that are bound through the spine using a 5 hole pamphlet stitch.  All of the topstitching on the cover was done with YLI Kaleidoscope metallic thread.

I add photos, drawings/paintings, business cards, art exhibit press releases, etc to the books, anything that documents how I spend my days with friends on art adventures.  This is the book from 2014 - stuffed full of ephemera.

Here are a few pages - with flaps and pockets to hold everything I want to save and document. 

The pocket contains some photos from the day on the Lower East Side, including the Tenement Museum.  Gwen Diehn, the cold person in the middle, was visiting us from NC.

Our group went to Christie's Auction Previews for Modern Asian Art week:

A Field Trip to the Katonah Museum of Art to see the Jasper Johns/John Lund exhibit and this was my composite painting of many of Jasper Johns repeated symbols.

Opening Day of the Matisse Studio at MoMA.  I think you can tell that we are happy to be there.

A rainy day in Chelsea seeing the amazing Picasso exhibits at Pace and Gagosian,  Benedicte is on the left and Pat on the right.  Teri, who is still working joins us when she can. 

I am very fortunate to have art friends who love coming into the City from the burbs so we can both see wonderful art and make some art ourselves.  Yesterday Pat and I sketched at Criminal Court (in  Arraignments) with the NYC Urban Sketchers, then met Benedicte and Judy for Toulouse-Lautrec Figure Drawing at MoMA, followed by a bus ride downtown to see 2 exhibits at the NYU Grey Art Gallery and finally our annual dinner, including Teri who worked all day yesterday, to celebrate another year of our friendships. 

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