Paper and Threads

The Sketchbook Challenge for April is "branching out" and I definitely added another way of sketching in my watercolor journal during this time.   

I went back to the German Expressionism exhibit at MoMA on Monday, and took notes and made some drawings from the Bridge and Blue Rider artists -  while listening to a Gallery Conversation by a MoMA employee.  I usually don't take notes and make small drawings in my watercolor sketchbook, but wanted to remember some of the images from the woodcuts and other prints he was discussing.

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I love going to figure drawing - and could go twice a week to Society of Illustrators.  But I still only go once/month, just trying to keep some balance in my life. 

The figure drawing sessions that I attend have 10 two minute poses, 4 five minute poses, 2 ten minute poses and 3 twenty minute poses

These are the three 20 minute poses - all drawn with a watercolor pencil and then wet with water to shade the figures during the last few minutes.   Ultimately I would love to draw with a brush and paint, and I'm hoping that this will be good practice for that next step.  I was thrilled that I could draw the back of the model for two poses out of the three, because I'm always disappointed after adding facial features.

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I don't consider myself a plein air painter because I really don't like to paint landscapes.  My sketching around the city, to me, is urban sketching - and these are two very different things in my mind.  So when Lillian Kennedy (the Boulder Colorado artist who I featured in the last blog post) invited me to sketch in Central Park, I was a little nervous.  But when she called to tell me she was at Bethesda Fountain, I decided I could draw and paint that - and already have several times.  Still, we were sitting back on the hill and I had to include more landscape than I am comfortable with.  But it was good for me! 

And we were serenaded while being blown around a bit by the wind - necessitating a walk to Pain Quotidien for hot coffee - which is actually in Central Park.  Lillian had to teach me that!

We also were in a spot that is a favorite for wedding photos and here you can see Lillian's painting, her acrylic paint set-up, and the groom adjusting the bride's dress for the photographer.

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Our Central Park Drawing Meet-up Group met at Belvedere Castle, in the sun, on Sunday and I spent several delightful hours talking to and painting with Lillian Kennedy - a Boulder, Colorado artist.  One of her students put us in touch with each other and I was able to meet her before she began teaching students her New York City class.  She has a lovely blog and posts one video lesson per week,  Here is my Castle painting and a quick one of mini-daffodils that were blooming in the Shakespeare Garden below the Castle.

Lillian and I went into the Met to see the Cezanne Card Player exhibit after the Meet-up Drawing session ended and I sketched, and then painted another card player for my collection.  This study by Cezanne is an oil painting - and I used watercolors instead.  Since painting is not permitted in the museum (or photography in this exhibit), I used a photo from the exhibit catalogue to do the painting at home.

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Our good friend and Journal Study Group artist Melanie Testa was diagnosed with breast cancer in January.  Pat, Teri, Benedicte, and I were devastated and questioned Melly re: all of the things we might do to help her through the chemotherapy-surgery-radiation.  She received the love and support of the "art quilt community" and they made a group quilt for her to wrap up in during the bad days.  When we asked Melly what we might do, in addition to planning fun activities for her "upswing week," (the week before the next course of chemotherapy), these were some of her suggestions:

"If you would like to 'do' something for me, a nice handmade post/card, an occasional email, a live plant, a cheap iTunes card sent three or four months from now."

We immediately launched a postcard project and were joined by Pamela from San Diego and Gwen Diehn (honorary members of our Journal Study Group),  We each selected a day of the week, and on our individual day every week, we mail Melly a postcard that we make.  My day is Saturday.  At the end of this project, we will work with Melly to see what we can make to keep all of the postcards together.

It was only after she received our second cycle of postcards that she realized that there was a postcard campaign.  She has received 4 cycles of chemotherapy so far and next week will be her upswing week, so she should have more than 70 postcards of love by now.

This was a snippet from one of her recent emails (Melly - I hope you don't mind me sharing this):

"I have been loving the postcards you guys are sending. Pamela always sends a quilted card, exquisitely finished with a quote or poem printed on the back. Perhaps when she comes next she might describe and demo the process. Gwen keeps me up to date on her most current creative endeavor-I have gotten small pieces of the puzzle and this week, I may be seeing the whole picture, it is amazing. Pat, I imagine you stamping out each word, I want to see you do it. Shirley's colors are getting brighter and more confident and she seems to settle into her style with each month, day, and certainly each card. Benedicte is firmly entrenched in envelope use. Teri pipes up and and pulls things from her hat. My collection of cards is growing and I feel truly honored that you guys have been doing this for me. I have pulled the stack out my desk, I will need a new and longer ribbon to contain them all."

Here are my last 2 postcards for Melly: my tulips from last week and my daffodil from this week - which will soon be delivered to my corner letter box for mailing.

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